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Comédie-Italienne or Théâtre-Italien are French names which have been used to refer to Italian-language theatre and opera when performed in France. The earliest recorded visits by Italian players were commedia dell'arte companies employed by the French court under the Italian-born queens Catherine de Medici and Marie de Medici. The first official use of the name Comédie-Italienne was in 1680, when it was given to the commedia dell'arte troupe at the Hôtel de Bourgogne in Paris, to distinguish it from the French troupe, the Comédie-Française, which was founded that year,〔Hartnoll 1983, p. 168; Roy 1995, p. 233.〕 and just as the name Théâtre-Français was commonly applied to the latter, Théâtre-Italien was used for the Italians. Over time French phrases, songs, whole scenes, and eventually entire plays were incorporated into the Comédie-Italienne's performances. By 1762 the company was merged with the Opéra-Comique, but the names Comédie-Italienne and Théâtre-Italien continued to be used, even though the repertory soon became almost exclusively French opéra-comique. The names were dropped completely in 1801, when the company was merged with the Théâtre Feydeau. From 1801 to 1878, Théâtre-Italien was used for a succession of Parisian opera companies performing Italian opera in Italian, and in 1980 the name Comédie-Italienne was revived in the Montparnasse district of Paris by a theatre presenting Italian commedia dell'arte plays in French translation.〔"Historique du Théâtre" at (La Comédie Italienne ) website.〕〔Forman 2010, p. 82.〕 == The Comédie-Italienne in the 17th century == In the 17th century, the historical Comédie-Italienne was supported by the king. At that time, a distinction was made between so-called legitimate theatre, which could be performed in royally-sanctioned theatres, and the more lowbrow street theatre, which did not undergo the scrutiny of royal censors. Italian troupes performed in the Hôtel de Bourgogne up to 1645, at which time they moved to Petit Bourbon. In 1660 they moved to the Palais-Royal, where they performed in alternation with the troupe of Molière. It was during this period that Tiberio Fiorillo, who was to have a strong influence on Molière, was the head of the Italian company. Both troupes, evicted from the Palais-Royal by Lully's Académie royale de Musique in 1673, moved to the Théâtre Guénégaud, where they continued to perform in alternation until the establishment of the Comédie-Française in 1680, at which time the Italians, now officially the Comédie-Italienne, returned to the Hôtel de Bourgogne, where they performed until the company was disbanded in 1697.〔Wild 1989, pp. 100–101.〕 The historical Comédie-Italienne presented to the French-speaking public spectacles performed by professional Italian actors. At first, these actors performed commedia dell'arte in their native Italian. Commedia dell'arte is an improvisational type of theatre; there were no scripts. They had multiple scenarios that they would pick from to perform, but inside that scenario they really did not have anything else planned out. They did however have specific character types, called Stock Characters, that became famous and loved by the theatre goers. After moving to the Hôtel de Bourgogne in 1680 the troupe began presenting scripted plays by dramatists such as Regnard, Dufresny, and Palaprat.〔Roy 1995, p. 234.〕 Around the same time the troupe became widely popular, King Louis XIV gave the newly formed national theatre of France, the Comedie Francaise, a monopoly on spoken French drama. The royalty saw the troupe's cooperation with French playwrights as a threat and began to consider refusing the troupe their annual pension. In 1697, a single event caused the King to finalize his decision.The actors had just announced upcoming performances of the play ''La fausse prude'', or ''The False Hypocrite'', a play that directly ridiculed King Louis XIV of France's wife, Madame de Maintenon. There is a debate among scholars as to whether or not the play was actually performed or if the play was simply advertised and the King learned of its existence. Regardless, upon his knowledge of the play's existence, the king had the actors sent away and the theatre shut down. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Comédie-Italienne」の詳細全文を読む スポンサード リンク
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